Warning: Henry Van Dyke’s epic poem, “THE GRAND CANYON,” is “soul food” and beyond the “fast-food” attention span.  However, it just might be the most important poem you will ever read.Van Dyke plumbs the depth of Grand Canyon and the depth of the human soul. He challenges believers and non-believers to set aside their baggage of religious and scientific bias, pettiness, myths and shallow thinking and become one with Grand Canyon. Van Dyke concedes that, like the words infinity and eternity, Grand Canyon cannot be defined yet, as a poet, he cannot contain himself. There are one-liners galore that will convict, cajole, console, compel, comfort and inspire. Nothing will compare with hiking Grand Canyon, however, Van Dyke’s poem offers a hint of the mystery of transcending the human body and briefly becoming “at one” with the universe.

DAYBREAK

What makes the lingering Night so cling to thee?
Thou vast, profound, primeval hiding-place
Of ancient secrets,–gray and ghostly gulf
Cleft in the green of this high forest land,
And crowded in the dark with giant forms!
Art thou a grave, a prison, or a shrine?

A stillness deeper than the dearth of sound
Broods over thee: a living silence breathes
Perpetual incense from thy dim abyss.
The morning-stars that sang above the bower
Of Eden, passing over thee, are dumb
With trembling bright amazement; and the Dawn
Steals through the glimmering pines with naked feet,
Her hand upon her lips, to look on thee!
She peers into thy depths with silent prayer
For light, more light, to part thy purple veil.
O Earth, swift-rolling Earth, reveal, reveal,–
Turn to the East, and show upon thy breast
The mightiest marvel in the realm of Time!

‘Tis done,–the morning miracle of light,–
The resurrection of the world of hues
That die with dark, and daily rise again
With every rising of the splendid Sun!

Be still, my heart! Now Nature holds her breath
To see the solar flood of radiance leap
Across the chasm, and crown the western rim
Of alabaster with a far-away
Rampart of pearl, and flowing down by walls
Of changeful opal, deepen into gold
Of topaz, rosy gold of tourmaline,
Crimson of garnet, green and gray of jade,
Purple of amethyst, and ruby red,
Beryl, and sard, and royal porphyry;
Until the cataract of colour breaks
Upon the blackness of the granite floor.

How far below! And all between is cleft
And carved into a hundred curving miles
Of unimagined architecture! Tombs,
Temples, and colonnades are neighboured there
By fortresses that Titans might defend,
And amphitheatres where Gods might strive.
Cathedrals, buttressed with unnumbered tiers
Of ruddy rock, lift to the sapphire sky
A single spire of marble pure as snow;
And huge aerial palaces arise
Like mountains built of unconsuming flame.
Along the weathered walls, or standing deep
In riven valleys where no foot may tread,
Are lonely pillars, and tall monuments
Of perished aeons and forgotten things.
My sight is baffled by the wide array
Of countless forms: my vision reels and swims
Above them, like a bird in whirling winds.
Yet no confusion fills the awful chasm;
But spacious order and a sense of peace
Brood over all. For every shape that looms
Majestic in the throng, is set apart
From all the others by its far-flung shade,
Blue, blue, as if a mountain-lake were there.

How still it is! Dear God, I hardly dare
To breathe, for fear the fathomless abyss
Will draw me down into eternal sleep.

What force has formed this masterpiece of awe?
What hands have wrought these wonders in the waste?
O river, gleaming in the narrow rift
Of gloom that cleaves the valley’s nether deep,–
Fierce Colorado, prisoned by thy toil,
And blindly toiling still to reach the sea,–
Thy waters, gathered from the snows and springs
Amid the Utah hills, have carved this road
Of glory to the Californian Gulf.
But now, O sunken stream, thy splendour lost,
‘Twixt iron walls thou rollest turbid waves,
Too far away to make their fury heard!

At sight of thee, thou sullen labouring slave
Of gravitation,–yellow torrent poured
From distant mountains by no will of thine,
Through thrice a hundred centuries of slow
Fallings and liftings of the crust of Earth,–
At sight of thee my spirit sinks and fails.
Art thou alone the Maker? Is the blind
Unconscious power that drew thee dumbly down
To cut this gash across the layered globe,
The sole creative cause of all I see?
Are force and matter all? The rest a dream?

Then is thy gorge a canyon of despair,
A prison for the soul of man, a grave
Of all his dearest daring hopes! The world
Wherein we live and move is meaningless,
No spirit here to answer to our own!
The stars without a guide: The chance-born Earth
Adrift in space, no Captain on the ship:
Nothing in all the universe to prove
Eternal wisdom and eternal love!
And man, the latest accident of Time,–
Who thinks he loves, and longs to understand,
Who vainly suffers, and in vain is brave,
Who dupes his heart with immortality,–
Man is a living lie,–a bitter jest
Upon himself,–a conscious grain of sand
Lost in a desert of unconsciousness,
Thirsting for God and mocked by his own thirst.

Spirit of Beauty, mother of delight,
Thou fairest offspring of Omnipotence
Inhabiting this lofty lone abode,
Speak to my heart again and set me free
From all these doubts that darken earth and heaven!
Who sent thee forth into the wilderness
To bless and comfort all who see thy face?
Who clad thee in this more than royal robe
Of rainbows? Who designed these jewelled thrones
For thee, and wrought these glittering palaces?
Who gave thee power upon the soul of man
To lift him up through wonder into joy?
God! let the radiant cliffs bear witness, God!
Let all the shining pillars signal, God!
He only, on the mystic loom of light.
Hath woven webs of loveliness to clothe
His most majestic works: and He alone
Hath delicately wrought the cactus-flower
To star the desert floor with rosy bloom.

O Beauty, handiwork of the Most High,
Where’er thou art He tells his Love to man,
And lo, the day breaks, and the shadows flee!

Now, far beyond all language and all art
In thy wild splendour, Canyon marvellous,
The secret of thy stillness lies unveiled
In wordless worship! This is holy ground;
Thou art no grave, no prison, but a shrine.
Garden of Temples filled with Silent Praise,
If God were blind thy Beauty could not be!

February 24-26, 1913.

Lowell H. Young
Author: Biodesign Out For A Walk

www.facebook.com/biodesignoutforawalk
www.biodesignoutforawalk.com
www.linkedin.com/LowellYoung
www.goodreads.com/BiodesignOutForAWalk